Film genres: Film genres  are various forms or identifiable 
              types, categories, classifications or groups of films that are recurring 
              and have similar, familiar or instantly-recognizable patterns, syntax, 
              filmic techniques or conventions - that include one or more of the following: 
              settings (and props), content and subject matter, themes, mood, period, 
              plot, central narrative events, motifs, styles, structures, situations, 
              recurring icons, stock 
              characters (or characterizations), and stars. 
Film Sub-genres: A sub-genre is a section of a film which links to the specific genre. For example a horror movie has adopted categories such as physiological, supernatural and historical. A genre which is based on romance would have erotica and comedy.
Film Sub-genres: A sub-genre is a section of a film which links to the specific genre. For example a horror movie has adopted categories such as physiological, supernatural and historical. A genre which is based on romance would have erotica and comedy.
Listed below are some of the most common and identifiable film genre categories, with descriptions of each type or category:
Action
                films usually include  high energy, big-budget physical stunts
                and chases, possibly with  rescues, battles, fights, escapes,
                destructive crises (floods, explosions,  natural disasters, fires,
                etc.), non-stop motion, spectacular rhythm  and pacing, and adventurous,
                often two-dimensional 'good-guy' heroes  (or recently, heroines)
                battling 'bad guys' - all designed for pure  audience escapism. 
Adventure films are usually 
              exciting stories, with new experiences or exotic locales, very similar 
              to or often paired with the action film genre. They can include traditional swashbucklers, serialized 
                films, and historical spectacles, searches or expeditions for lost continents, "jungle" 
            and "desert" epics, treasure hunts, disaster films, or searches 
              for the unknown.
Comedies are light-hearted 
              plots consistently and deliberately designed to amuse and provoke 
              laughter (with one-liners, jokes, etc.) by exaggerating the situation, 
              the language, action, relationships and characters. 
Crime (gangster) films 
              are developed around the sinister actions of criminals or mobsters , 
              particularly bankrobbers, underworld figures, or ruthless hoodlums 
              who operate outside the law, stealing and murdering their way through 
              life. Criminal and gangster films are often categorized as film 
                noir or detective-mystery films - because of underlying similarities between these cinematic 
              forms. This category includes a description of various 'serial killer' 
              films.
Dramas are serious, plot-driven 
              presentations, portraying realistic characters, settings, life situations, 
              and stories involving intense character development and interaction. 
              Usually, they are not focused on special-effects, comedy, or action, 
              Dramatic films are probably the largest film genre, with many subsets. 
Horror films are designed 
              to frighten and to invoke our hidden worst fears, often in a terrifying, 
              shocking finale, while captivating and entertaining us at the same 
              time in a cathartic experience. 
Sci-fi films are often 
              quasi-scientific, visionary and imaginative - complete with heroes, 
              aliens, distant planets, impossible quests, improbable settings, 
              fantastic places, great dark and shadowy villains, futuristic technology, 
              unknown and unknowable forces, and extraordinary monsters ('things 
              or creatures from space'), either created by mad scientists or by 
              nuclear havoc. Science fiction often expresses the potential of technology 
              to destroy humankind and easily overlaps with horror films.
 War (and anti-war) films acknowledge 
              the horror and heartbreak of war, letting the actual combat fighting 
              (against nations or humankind) on land, sea, or in the air provide 
              the primary plot or background for the action of the film. 
 








 
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